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The second chapter ponders on the relevance of knowledge and intelligence to the aesthetics of an art creation
focusing on artworks in which the seemingly straightforward document is valued not only as a source of information but also as a distinctive visual and critical form
is a street that can easily be dismissed and ignored – it’s hectic
This book explores how artists use their biographical image in order to make a name for themselves
gratitude and open-heartedness
Revue Faire #1/2/3/4 colour The second chapter ponders onCritical publications dedicated to the analysis of Graphic Design are sadly few and far between today, particularly in France, but also in Europe as a whole. Adopting an analytical and critical posture with regard to the forms and activities of Graphic Design, Sacha Lopold and Franois Havegeer established in 2017 a printed publication that deals with these practices.
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