to a local race track where she watched Astoria Chas work on his car
In the Streets and In the Showroom
signs and symbols from commercial brands
counterbalanced by a clean band of neutral colour bearing the title and author/artist’s name
Recently she has screened work at East London Cable’s ‘TV Dinners E03’ at Tate Modern
Caden Mark Gardener & Willow Maclay: Corpses, Fools and Monsters Paulo Nazareth to a local race trackRepeater, 2024, Softcover, 350 pages, 21. 5 13. 5 cm For over a century, trans images have appeared in cinema, often as harmful cultural objects shaped by the zeitgeistfrom Christine Jorgensen to Candy Darling to sensationalised guests on The Jerry Springer Show. These representations frequently cast trans bodies in abject forms: as corpses, jokes, tragic martyrs, or even monsters. But now, a new wave of trans cinema is emerging from the margins,