1950 WEEGEE. Surrealist Self-Portrait by Influential New York Crime and Art Photographer. Presbyterian and a Sketch of His

and a Sketch of His Life

Extensive Discourse on Slavery in the South [he began as pro-slavery but was decidedly against after time spent with his black and/or enslaved parishioners

Phrenological Character of John James Audobon

Lieutenant Company B

gifting the set to James Ewing

1950 WEEGEE. Surrealist Self-Portrait by Influential New York Crime and Art Photographer. Presbyterian and a Sketch of HisA superb and perviously untraced photograph by one of the 20th century's most influential photographers. Distorted Self Portrait Gelatin Silver Print Measuring 8 x 10 [sheet size] Signed in lower margin Similarly evocative examples are held by the Cohen family archive [here], known through his surreal Photographer with Seven Eyes, and the kaleidoscopic self portrait held by the Houston Museum of Fine Art [here]. Weegee [1899 1968] was born Usher