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Working in the shin-hanga tradition
The blooms are neither idealised nor arranged — they exist in a state of natural imperfection
The fruit hangs in cross-section alongside intact specimens
The colour palette is subdued and carefully felt — muted greens
Sekishozan Shizhongshan 1940 captures a Chinese mountain scene from Yoshida's late-career travels
Modern Flower 01 by NKTN Henri Rousseau Working in the shin-hanga traditionModern Flower 01 leans on clean composition, considered colour, and a contemporary sensibility, with a calm, design forward atmosphere holding the centre. The botanicals subject anchors the composition and gives the piece its focus. The tone sits firmly in a contemporary register, at ease in minimal and lived in interiors alike. A considered palette and clean negative space let the subject breathe. The result is a piece that settles into a room and
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