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documentary lens of an American master
Critical Reception and Controversy
70 photographers including Ansel Adams
Norton & Company in 1987) is a seminal 160-page photographic monograph by acclaimed documentary photographer and author David Plowden
and the "clearing" of skin to meet the high standards of 1950s social status
Photographs from Detroit Collections, edited by Julia Henshaw with texts by Frederick J. Cummings and Ellen Sharp. Untitled (Friends of Photography) documentary lens of an AmericanDetroit Institute of Arts, 1983. Uncommon exhibition catalog; 1,500 copies printed. With signed letter by editor laid in. Twenty illustrations, including cover. Back of book provides a checklist of 132 works in the exhibition inaugurating the Albert and Peggy De Salle Gallery at the Detroit Institute of Arts, October 5 November 27, 1983. Good plus, with edge wear on stiff wraps, interior fine. Handwritten signed letter laid in from Julia Henshaw, the
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